My studio practice engages explores ways in which clay, in its ceramic form, conveys “static motion.” Clay is inherently of the human body – the sediment of millennia. The medium reinforces the physicality of the implicit corporeal themes of ailment and recovery. My sculpture confronts vitality in juxtaposition to lethargy, and the invisibility of chronic pain. Each piece is a personal manifestation of self at a specific moment in time during the healing process.