made in porcelain, cone 13, 1320C – thrown, altered, slip cast with chinese transfers.
So I’ve been mucking about with trying to reproduce similar type “mimesis” work to what I did in Denmark – and decided I’d like to go with colour transfers. Friends have tried and true results, but I’m having a difficult time getting a printer to be happy with my very expensive waterslide decal paper. On the flip side, I’ve improved my Photoshop skills tremendously with a little help from my friends. The concept is still the same – to ask us to consider the different facets of our lives, and how we live our lives – crazy, high tech, fast faced, or rooted in nature and in touch with our environment….
And so the process begins, as I sort through the next installation positives for my mimesis series where I’m interested in pointing the finger to various facets of our lives and of society. I hope to make three different moulds to work with this winter/spring. Just pressed sculpture clay around to find what I wanted in terms of form, built a cube of plaster and literally sawed off the edges. Starting to make a mould – its’ an uphill learning curve, as this is NOT my forte, and I’m missing my mentors from Project Network in Denmark.
I’m thrilled to be showing with this stellar group of artists at the Living Arts Centre – I felt elated to be able to realize the hanging piece I had started at Sheridan – and add to it conceptually, where the pieces hanging are the distillation of my self as a “white” person having grown up in brown skin. Stay tuned for the psa re reception to see the work.
Here’s the artist statement for my solo show that ends my residency at Gaya – it’s been great, when I start to think about all the creative leaps and bounds, discoveries, learnings – I can’t wait to get back into the studio and start working again…
Each instant carries with it a multitude of possibilities. We are bombarded by choice at every turn, and yet we tend to ignore the natural undercurrent of the rhythm of life. In Balinese culture I have observed a pervasive sense of respect for the importance of the constant dialogue between good and evil. Balinese philosophy describes this ongoing play between opposing forces as “Rwa Bineda.” Many of the core themes in my work reflect similar notions of duality: fragility and strength; static motion; yearning, submission and ultimately transcendence. The varied work in this exhibition is inspired by my recent sojourn in Jingdezhen, China’s porcelain capital, my time at Gaya in Bali, and my own life’s twists and turns. I am just beginning to grasp the notion of “Rwa Bineda,” as I come to understand that balance is not an unattainable ideal, but an imperfect state of being that just happens one moment at a time.