Each instant carries with it a multitude of possibilities. We are bombarded by choice at every turn, and yet we tend to ignore the natural undercurrent of the rhythm of life. In Balinese culture I observed a pervasive sense of respect for the importance of the constant dialogue between good and evil. Balinese philosophy describes this ongoing play between opposing forces as “Rwa Bineda.” Many of the core themes in my work reflect back similar notions of duality: fragility and strength; static motion; yearning, submission and ultimately transcendence. Traditionally the Balinese depict Rwa Bineda in black/white and/or red checked patterned cloth. I chose to use the static motion of closed wheel-thrown loops. Life itself is an experiment – its twists and turns – and am coming to understand that balance is not an unattainable ideal, but an imperfect state of being that just happens one moment at a time.
Lilibeth Cancua Rasmussen’s Being Human Being at the Nikolai gallery in Copenhagen is transformative – the video documentating the performance art and the exhibition left me with a sense of deep empathy for her plight as an individual mis-read, mis-understood, and struggling to be seen. Her use of her family in her work (and I saw two earlier video’s of hers at the National Gallery) is kind of a genetic extension of herself and her situation – growing the microcosm slightly larger – this work is universal in theme, and the work with her siblings really moved me – tracing the footprints across the floor.